Theos: Cities of Myth is the spiritual successor to that of the great city builders of the early 2000s

Theos: Cities of Myth is a spiritual successor of one of the great city builders in the early 2000s.

This game will appear on your PC later this year.

If you’re a PC gamer at a certain age, you might have a nostalgic memory of Impression Games. For two years from 1998 to 2000, the studio has released three classic games: Caesar III, Farao and Zeus: Master of Olimpos. Since then, these three games have made their own form in the way that most of the others have done since then, if they have established the officials of all the city builders follow.

People have been playing these games for more than 20 years and fans like Augustus helped me to smooth out some bugs and rough edges that weren’t an opportunity to fix them. In 2025, the village of Wandering, one of my favorites of this year, adopted the official impression and applied the setting inspired by the studio jibli. Theos: Cities of Myth

This new game is the latest work of Triskele Interactive, the most well-known developer of the new era: Cleopatra, an extension of 2000 with the original Falao: Nile Queen HD Remake. In a press conference held by Dotemu, a French publisher, Triskell’s team wanted to create a spiritual succession of Master of Olimpos, a s el of Farao, not direct remake. I didn’t have the opportunity to ask Dotemu for a problem in securing the license rights of the Zeus name, or if their rights are too high for small projects like Theos. What I can say is that the new game is clearly intended to call the previous game, and anyone who has played the old impressions catalog is intended to feel familiar.

Like the previous Zeus, Theos is an isometric city construction game, which teaches both the Greek myths and the goddess of the city’s design and the goals that must be completed to advance the scenario. In a very recent build I played, only the Athens campaign was ready to play test, but still most of the game tooltips and assets were set by placeholders.

I later launched a campaign to build the foundation of the city’s sanctuary. However, before the project began, I had to first build a house so that the immigrants moved to my new town and then provide them with food and water. As a result, immigrants will build a better home and as a result, more people will gather in my version of Athens. If you’ve ever played an impressions game, you’ll be familiar with them. Gameplay is built around the design of an efficient supply chain that provides all the necessary things to build a well-、ipped home for urban residents. Each of the buildings, including wells, agora, and gymnasiums, send out the NPC as a walker and deliver products and services related to the buildings. If you can’t be able to access all civilization benefits without interruption, your residence will remain in the city of the hut.

In the impressions game, the challenge of building a larger city was born from the fact that the walker route cannot be controlled directly. I had to design a road in the city so that it can correspond to a route search with a lot of bugs. This means that the city you built does not feel like a real place. Teos tries to resolve its dissatisfaction by enabling players to fully control the walker. This描画 you to draw a route that you want to pass through a walker in the city. The Triskell team believes that this will allow players to design the city almost as they like. At least it is the way of thinking.

In the build I played, I felt that drawing a walker route would add a lot of detailed management to the experience. When ゲーム the first building set, the game has processed the route, but even if you grow the city and add a new residential block, those routes were not automatically adjusted. Every time, I had to go back to the structure that I built, tell the game to send a new shipping route, or sketch yourself. The problem is that the logic used in this game keeps part of my city unattended with enough service, and I felt a little bit hard to do work on my own in an interface that doesn’t convey how far each walker is sent. Again, I'm expected to have not been refined because I played a very recent version.

It was difficult to judge the art style of the city. Zeus: Master of Olympus has a simple but colourful isometric graphics that worked great to convey the warmth and vitality of its configuration. One of the criticisms of Triskell’s Pharaoh Remaster is that the studio failed the original creative art design. There was a mismatch between different elements. Buildings and landscapes look faithful to the original inspiration, but all NPCs seem to have been pulled out of a totally different game. It was one of the reasons why I didn’t buy a remake version though I like the original. As far as I know, the studio seems to not listen to the criticism. NPC is still in harmony with other art designs.

Even if I had a game hangup, I still enjoyed playing Theos. Triskell does not reinvent this genre like Manor Lords or Frostpunk, but it does not matter. If you revisit the formula that you enjoyed in the past, and see that it is running well, you can feel peace of mind. Theos: Cities of Myth